Jonathan Adler, American potter & designer, birthday 11 August 1966
Jean Nouvel, French architect, birthday 12 August 1945
This week we discuss three individuals whose tenacity for
design was a hard-fought battle at times.
The first is Eileen Gray.
As a woman in a male-dominated medium of architecture in the turn of the
20th century it was a struggle to be recognized as the legitimate
formidable force she was without the benefit of support networks or a powerful
mentor. To add to the up-hill battle for
Gray was where she was working. Paris at the time was alive with the Art
Nouveau and her geometric forms were more in line with the International Style.
However, it is to that style put in motion by
the Bauhaus that Gray provided opulent luxury to the mostly cold industrially
produced materials. Some of these
successes were the Bibedum Chair and the E-1027 table designed to indulge her
sister’s love of eating breakfast in bed (who doesn’t). Originally a lacquer artist she was lauded
outside of Paris for the interior design for an apartment on Rue de Lota. Unfortunately, as time wore on and the French
critics were relentless she became increasingly reclusive. Gray isolated herself at the house she designed for her and lover to share on the French Rivera.
There they were constantly harassed by le
Corbusier who would “vandalize” the house with murals he would paint uninvited
and in the buff. Nearly 30 years later
there was a resurgence of interest in her work that included some of her pieces
being brought back into production. It
is said that Joe Colombo’s Boby Trolley (see last week’s entry) was inspired by
a double sided chest she designed for the house.
Jonathan Adler’s exuberance for design was evident at an
early age. As a teenager he begged his
parents for a potter’s wheel where spent most of his time. Dejected by criticism from a college
professor, he gets a “real job” in New York but after three years of misery and
having being fired from every job he ever held Adler ventures again into his
passion, much to the chagrin of his parents.
Fortunately, buyers for the department store Barney’s recognized the
same whimsical optimism Adler professes in persona translated directly into his
work and gave him his first large commission.
Since then his empire has expanded into all realms of home furnishings
including a commission from Mattel for Barbie’s “real” Dream House in honor of
her 50th anniversary. In
addition to inspiring people to unabashedly embrace the smile within he is an
advocate for artisans around the world extoling the belief “If your heirs won’t
fight over it, we won’t make it.”
To say that architecture was always a struggle for Jean Nouvel
would be untrue. However, like Jonathan
Adler his parents weren’t convinced that a career in art would be a reliable
occupation. They originally urged him to
become a teacher like themselves or to go into engineering. The compromise was architecture and Nouvel
has been teaching the world about site-based responsive design ever since.
The ground-breaking introduction for Nouvel
onto the world stage was his commission for the Institut du Monde Arabe in
Paris. On the south side of the building
are thousands of mechanical lenses that contract and expand automatically by photoelectric
cells for the regulation of light within the building. The building is alive and breathing. This not only alleviates the mechanical
systems but it also is reminiscent of Arabic latticework which in of itself is
a passive cooling system in an arid climate.
This is the perfect adaptation of one culture’s vernacular transformed
into a foreign local. A second success
in Paris is the Foundation Cartier pour l’Art Contemporain which is a nearly
invisible glass structure that hovers among the trees and between buildings; an
unusual sight in the middle of the city.
More examples of Nouvel’s work are scattered around the globe and earned
him a Pritzker Prize in 2008.
Links:
Big “thank-you” this week to http://kaufmann-mercantile.com/blog/ for their wonderful “References” section. Not only are they helping to educate the public as to the history of design but are providing a resource for excellently design products.
ReplyDeleteThanks!
-diD